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Natasha, Pierre, and The Great Comet of 1812: A Review

Sophia Mertson Staff Writer  The Sewanee Department of Theatre & Dance and Music Center gave eight performances of the musical…

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Chromakopia: A Complicated Masterpiece

Tom Walker Junior Editor Obscenities used Chromakopia is a bit of a conundrum. The album focuses on Tyler, The Creator’s…

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Anora: Breathing New Life Into the World of Cinema

Pete Stone Contributing Writer 2024 has arguably been a mediocre year for film, which is why Sean Baker’s “Anora” is…

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Total overkill / Straight shooter: A review of Ocean Vuong’s “Time Is a Mother”

Meran Paul Features Editor Obscenities used.  Ocean Vuong is a 36-year-old Vietnamese poet, novelist, and essayist. His debut collection Night…

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Professor Spotlight: Kathryn Mills

Matthew Cowin Staff Writer Intro Dr. Kathryn Mills is a longstanding professor and Chair of French and French Studies at…

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From Liberal Arts to Global Consulting: Understanding Blair Overman’s (C’ 07) Unique Career Track

Daphne Nwobike Staff Writer On Oct. 24, the Babson Center invited Blair Overman (C' 07) to serve as the Bryan…

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Interim All Saints’ Chaplain Rev. Dr. Nancee Martin Post Election Statement

When the editor of the Sewanee Purple asked what message I might want to share about the national elections on…

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Hurricane Helene: The Devastation of Southern Appalachia

Sophie Daniel Staff Writer Sewanee students often get trapped in something we call the “Sewanee bubble”, focusing solely on the…

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School of Mold Episode II: Mold Strikes Back

Staff Writer Macye Farrar At first, no one thought much about the vacant third-floor dorm room in Johnson Hall. Even…

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How it Started & How it’s Going

Photo courtesy of Sewanee Purple Archives Photo courtesy of Laurie Jarret Rogers (C’ 85) and Penn Rogers (C’ 72) John…

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